If I can say one thing that's for sure it is that my entire life as a musician has been one of learning, great experience, and more learning. Through trial and error I have found what works for me and what sounds best. Every once and when we come across those few pieces of gear that just sound and work great from the get-go. Whether it be some great sounding compressor you use in the studio, a dirty old little amp you use to record with, or that magic pair of pickups in your favorite guitar. This has always been the gear that has made our music special. Ken of Angeltone Electronics has taken it upon himself to build us some pickups that deliver some of the most unforgettable and immaculate tones from the golden era of rock, country, soul, and everything in between. Angeltone's pickups have been one of treasure finds for us here at Analog War Cry and as a musician has brought me some of the signature tones I have been seeking since day one. Out of an obsession and passion for great tone has Ken brought us these amazing musical tools. Because sometimes it takes more than just the love of sound to get the job done.

My friend Tanaka of Ovaltone Handmade Effects Pedals has informed me that he will be reducing his pedal line and replacing the discontinued pedals with some new models. You can still get the MAGS (Marsh Additional Gain Stage) pedal, this is a very unique and awesome sounding pedal, check one out while you can. There is also one new pedal already in the horizon, the Terminus Overdrive. We will be doing a review of the Terminus Overdrive real soon so keep your eyes out for that. For more info on the Ovaltone pedal line change and to read up on exactly which pedals were discontinued go to www.ovaltone.net for more info. We did a review of the White Tiger Overdrive very early in our reviews, you can find that review in the Feb posts. Stay tuned for more news on Ovaltone pedals.

Features:

* Fuzzy distortion made for deep voiced instruments

* Noise gate stops between note hissing, can also shorten decay

* Clean/low blend

* Printed Circuit Boards

* Rad art work

* Standard aluminum enclosure

* Pretty LEDs

* Price- $180

We said we'd give you one killer fuzz box for everyday of the week and we did it. I am very proud to bring to you what many thought would never surface again, Fender's Fender Blender. This is a pedal that needs no introduction, if you've ever had a chance to dig into one you know what I'm talking about. Like many of you I'm sure were I was also a tad skeptical of the reissue. Well, sometimes pedals are taken and improved, and not always just because they're not the original (vintage) doesn't mean it won't rock. I had a chance to A/B a vintage Blender with a reissue, and in the end there wasn't much of a difference. The small differences I did hear were actually welcomed. Sometimes a pedal comes along that doesn't necessarily belong to any one music era or sound, it just sounds good period. Well here is a chance for all you pedal hounds to truly get a taste at a timeless classic, a fuzz box that will deliver forever more.

Oh how stoked was I when I heard that Way Huge Pedals were making a comeback, definitely the most exciting thing to hit the stompbox world in a good long while. As a serious tone connoisseur and pedal junky, having Way Huge back in the mix meant that once again we would have access to the interpretation of tone as seen through the mind of George Tripps. Would these pedals be able to influence and grab a hold of players like they once did? Hell Yes! Not only do these pedals still own their unique vibe but they've managed to keep their signature sound and feel. Any fan of the boutique pedal world must go out and try these pedals, as someone who makes it a point to try out as many pedals as possible I highly suggest it. I invite you into the world of Way Huge, and what better pedal to start with here than the Swollen Pickle mkII.






This killer reissue wasn't in my presence longer than 5 minutes before I made up my mind to add it to my gigging pedalboard. The range of sounds this fuzz box is capable of just blew my mind and all sounded killer, absolutely ridiculous. All of the controls works well with one another and each one sounds great in just about any setting. Yet there's more to this pedal, something beyond it's look and sound that makes it super freakin cool, like a cult film and it's cult following. From the packaging these pedal's come in to their layout of controls these are not your every day stompboxes, even the enclosures are super cool. I am sure you all know the Way huge line very well, chances are you may have come across a few in your time, if you're lucky. If you didn't get a chance to rock out to some of the first run these will have you more than satisfied. This new and improved version of the Swollen Pickle sports a layout of controls that makes it one of the most versatile stompboxes we have ever come across. Just when you think you've reached all it can do you remember there are also internal controls. Let's start with the outside first shall we? Sustain knob: With this badboy you can dial in as much (and I mean as much) smooth and off-the-wall grit or fuzz you want. Starting from it's lowest settings gets you some tasty natural break-up sounds, from Rolling Stones grit and Clapton woman tones. It's crazy just how much further this knob will actually take you. Getting into higher Sustain settings is Black Sabbath and Queens of the Stone Age land. The effect somehow maintains all it's great sounding gritty overdrive while delivering a massive onslaught of fuzz, it's beautiful. Filter knob: This amazing control isn't the norm tone/eq control, no sir. Rolling back the Filter produces some really cool low-fi sounds, this perfect for layering tracks or coming off as dirty and mean as you want. Roll this puppy up and you get more in your face, open fuzz tones. Twist a few of the other knobs and the possibilities are endless. Loudness knob: This here controls the amount of volume you want slamming into your amp, believe me you won't need much, unless you want to kill your pets and your neighbors all at the same time. The next couple knobs are new to the Swollen Pickle, but oh am I glad they're there. Crunch knob: This knob does exactly what it says it does, controls the squash and compression of your sound. This knob will have some affect on your volume depending on where you have it, it can also produce some killer trumpet-like sounds in the right spot. Scoop knob: Works to control the mids in the fuzz tone. Again the possibilities are endless. I found this working best for me right at noon, but turn it left and right and it's like day and night, very cool. You get enough? No? Good cause there's more. Flip the Swollen Pickle over, unscrew the feet and WAHLAH! Inside it's guts you'll find a few controls that will help you fine-tune and match the sound to whichever amp/guitar you might have. Voice control: This works to set the overall intensity of the external Scoop knob, great for dialing in the perfect mid tone. Last but not least, Clip control: This flips between two different sets of clipping diodes. Your choice of smooth'n'creamy or raw'n'wicked. Like having two completely different fuzz boxes in one. I have no idea how the hell Tripps did this, but he managed to up himself by giving us more out of the Swollen Pickle. Everything I threw at this pedal sounded great, Tele, Strat, hollowbody, and Junior. All the sounds coming off well defined, balanced, rich, and powerful. If I had to pick a favorite fuzz box for the year I might just have to go with the Swollen Pickle. Never has a fuzz box made it to my board so quickly and never has a fuzz box done so much for so many different instruments. My favorite setting by far, which pulled off a sound somewhere between a woman tone and Fuzz Face. Sustain at two O clock, Filter just behind eleven O clock, Crunch a hair past noon, Scoop at ten O clock, Voice at stock setting, and Clip in the smooth mode. Last I roll back my guitar's one knob 50% and I'm there baby. That's how this monster sits in board and I don't see myself changing a damn thing for a long long. I have been hunting for this sound for a long time, to able to knock it out with just one box is stunning. Don't get me wrong, it's beautiful when we can mix and combine our pedals with one another, when it helps us. When we have to work to combine a few pedals a different story. The key is to have tools in our arsenal that will take us to where we're trying to get, gear that will enhance our core tone, and motivate us to play what's floating around in our heads. Plugging into the Swollen Pickle unleashed so many of the riffs I have been wanting to release from my hands. You know how it goes, you write a riff or a lick, then when you go and play it you notice something's just not there. Now how good does it feel when we come across those sounds that work best with our playing? Freakin awesome! As a cat who is big-time into fuzz boxes and vintage pedals this mkII version of the Swollen Pickle has me floored. In some cases I've seen that reissues don't always stack up to the original's, this is not one of those cases. I'll tell you something, at first I thought this pedal was going to be a difficult to operate, but once I got in and got my hands dirty my ears led me to all the right places. One amazing tone monster.




For more info on Way Huge Electronics go to www.wayhuge.com or click the logo in our links. Also look out for the rest of the Way Huge line reviews here on Analog War Cry and a feature with George Tripps next month. Do the damn thing do it!